And that ups the software for music analysis to 3. :)<br><br><div class="gmail_quote">On Wed, Oct 12, 2011 at 10:24 PM, Murray Meehan <span dir="ltr"><<a href="mailto:murray.meehan@gmail.com">murray.meehan@gmail.com</a>></span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">glad to hear you like it -- you may also want to take a look at <a href="http://marsyas.info/" target="_blank">http://marsyas.info/</a>, an oss music analysis tool.<div>
<div></div><div class="h5"><br><br><div class="gmail_quote">On Wed, Oct 12, 2011 at 10:54 PM, Lee Savide <span dir="ltr"><<a href="mailto:laughingman182@gmail.com" target="_blank">laughingman182@gmail.com</a>></span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><p>Well, I'll still keep my hopes up; if I've learned anything about open source technology, its that while how you skin the cat is debatable, learning from the ways of other's methods is a blessing and a necessity towards doing it in the best way possible. Perhaps CLAM can still make use of the algorithms and functions used in music21, even if not directly. I'm not saying to cut paste code, since that's the death of intellect in practice; I'm asking if music21 is something to consider observing for ways to improve CLAM. I'm not very good at C++ code (yet), to be honest, but Python I'm very familiar with, and I'm very thankful you took the time to answer my questions. I'd like this topic to be open for more debate, though. It's very uncommon for music analysis software to exist and be as in-depth as this, or music21, and sadly those are the only 2 open source libraries for music analysis I personally know of. It's very frustrating, but seeing this is like a breath of fresh air.</p>
<div><div></div><div>
<div class="gmail_quote">On Oct 12, 2011 6:32 PM, "David GARCÍA GARZÓN" <<a href="mailto:david.garcia@upf.edu" target="_blank">david.garcia@upf.edu</a>> wrote:<br type="attribution"><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
Hi.<br>
<br>
No plan on integrating music21. Sorry. Anyway...<br>
<br>
You should take a look to the extractors in CLAM Annotator.<br>
They include among others, extractors which use the same<br>
algorithms that Chordata uses. Those extractors generate<br>
xml files that python can turn easily in any format you<br>
need provided that the information you need for the format<br>
is there.<br>
<br>
CLAM provide pitch (for monophonic excerpts) rhythm,<br>
harmony/chords for polyphonic excerpts...<br>
The information is quite noisy and far from having notation<br>
but it can be a pretty good starting point.<br>
<br>
David.<br>
<br>
__________________________________________________<br>
<br>
>From Lee Savide <<a href="mailto:laughingman182@gmail.com" target="_blank">laughingman182@gmail.com</a>><br>
Sent Tue 10/11/2011 9:17 PM<br>
To <a href="mailto:clam-devel@lists.clam-project.org" target="_blank">clam-devel@lists.clam-project.org</a><br>
Subject [clam-devel] Important Question regarding CLAM<br>
<br>
<br>
Hi. I'm a college student who's majoring in music technology, and when I found this project, I was VERY impressed. I've been looking for an open source framework like this for YEARS, and nothing good ever came up. Then I found this. Now, I'm going to have to ask something extremely crucial: Is there any planning to involve integration into the music21 (<a href="http://code.google.com/p/music21/" target="_blank">http://code.google.com/p/music21/</a>) project? Specifically, I'd be very interested with the concept of a tool that can analyze and deconstruct the music notation from WAV, MP3, and OGG files. Specifically and open source tool for that would be an amazing feat within itself. PLEASE do get back to me; I've been looking for a project like this for a very long time (over 6 years). Thank you very much for your time, and efforts. :)<br>
<br>
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<br></blockquote></div><br><br clear="all"><br>-- <br>I thought what I'd do was, I'd pretend I was one of those deaf-mutes<br>